@RealSteveHolmes – – 40 years of exploring ideas and now for 20 more

It’s called “In the Cut” starring Meg Ryan and half penned by cult writer Jane Campion and it made me sick with its relentless, menacing, sordid, anti male propaganda.

Plenty of atmosphere, all of it nasty. Plenty of sharp dialogue without one single moment of human decency ever poking through the total gloom. Nice pointless plot in which all men are suspected of everything and not to be trusted. Possibly the most utterly objectionable film I have ever seen after Silence of the Lambs.

You must see it, as an education in pure, unadulterated prejudice masquerading as interesting psychological complexity. And Meg Ryan really got into it, as you can see from the Parkinson interview on YouTube, and Nicole Kidman co-produced it, so these babes think it really says something about sex, love and men – which is simply terrifying.

Because no mysoginist, no matter how bleak his world, no matter how many women had cruelly rejected him, could ever turn out an image of woman as utterly hating and completely negative as the men portrayed in this film.

What it tells us, that a bunch of rich, attractive, powerful and intelligent women in the most cosseted country on earth could make such a movie, what it tells us is that something is terribly wrong…

It’s called Vicky Cristina Barcelona, which is a title so bad it hurts; the plot is a tapas bar of clichés about romance; the “characters” are at best half a dimension and in most cases considerably less; the acting is school of Johansson, who dominates throughout, except for one brilliant protagonist who holds the entire thing together: the voiceover, which is simply stunning, on a par with the gentle irony of Hitchhiker’s Guide to the Universe.

This voiceover enables Woody to illuminate the easy lives of a bunch of stupid American clichés, to mould them this way and that around a bunch of stupid romantic and life clichés, to foil them with a bunch of stupid cliché Spanish stuff - and yet to extract a dry laugh from a jaded and hostile viewer (me) at every single turn.

I have never liked the guy, never liked his arrogance, never liked his antics, never liked his strange family relationships and never liked the adulation he used to get from dunderheads starved of anything more meaningful. But if he had learned to step back sooner, as he does here, if he had broadened his field of vision like he does here, my God, he could have been almost half a contender.

For American humour, this film is brilliant, almost European in its almost sophistication. A very enjoyable romp, though the sex could have been more explicit and the Cruz identity almost spoils it by overacting to put  Scarlett in her place when actually the third woman, the incidental, woman, the Spanish artist and the voiceover are the real stars, especially the voiceover.